This blog is a limited presentation of the book. It shows all the text, but not the graphic design, screen captures, or the behind-the-scenes images and quotes.
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Foreword

Movies help us understand who we are as a culture and as individuals. When an actor reveals a deeply felt truth a personal connection is made with the audience. It’s why our favorite actors are so important to us. And why some films resonate and make such a lasting impression. These behind-the-scenes stories and movie trivia are meant to reveal just how unpredictable movie making can be. And why despite all the trials and tribulations of the business some truly great films somehow get made and become part of our popular culture. The anecdotes are taken from many of my personal favorite films. This book would’ve needed to be twice as long to include them all. I hope you’ll be inspired to take a look at a gem you may have overlooked.

The Long Good Friday 1980


“Remember, scare the shit out of them, but don’t damage them. I want ’em conscious and talkative. And lads, try and be discreet, eh?”

Bob Hoskins voice was dubbed over by a Wolver-hampton actor for fear that the American audience wouldn’t understand his character’s East End accent. After Hoskins threatened to sue Jack Gill and Lion’s Gate (the original producers before selling the rights) the dubbing was removed. George Harrison’s Handmade Films Ltd. bought the film rights from Black Lion for £850,000. After Harrison saw the finished product, he reportedly said that he never would’ve approved such a violent film. Anthony Franciosa was originally cast as Charlie, the Mafia boss visiting from the U.S., but he left after three days filming, claiming to be unhappy with script alterations. The original title was “ The Paddy Factor” but this was changed after fears that it would give away too much of the film’s plot. After considering: “Harold’s Kingdom”, “Havoc” and “Citadel Of Blood” the title: “The Long Good Friday” was finally chosen because of its similarities to Raymond Chandler’s “The Long Goodbye” with an Easter setting. Pierce Brosnan’s role as an IRA assassin was originally completely silent but he improvised one line of dialogue. Even though it appears that Brosnan shares a scene with Bob Hoskins at the end, neither actor was there when the other was being filmed in close-up, so they never actually worked together. At the film’s finale in the back of the car, Hoskins was simply told that the camera would be on him in a close-up for five minutes non-stop. Though well known on the British stage and TV, it was this riveting part that launched Bob Hoskins’ movie career.