This blog is a limited presentation of the book. It shows all the text, but not the graphic design, screen captures, or the behind-the-scenes images and quotes.
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Foreword

Movies help us understand who we are as a culture and as individuals. When an actor reveals a deeply felt truth a personal connection is made with the audience. It’s why our favorite actors are so important to us. And why some films resonate and make such a lasting impression. These behind-the-scenes stories and movie trivia are meant to reveal just how unpredictable movie making can be. And why despite all the trials and tribulations of the business some truly great films somehow get made and become part of our popular culture. The anecdotes are taken from many of my personal favorite films. This book would’ve needed to be twice as long to include them all. I hope you’ll be inspired to take a look at a gem you may have overlooked.

Glengarry Glen Ross 1992


“Fuck you. That’s my name. You know why, mister? ’Cause you drove a Hyundai to get here tonight, I drove an eighty thousand dollar BMW. That's my name.”

David Mamet originally wrote Glengarry Glen Ross as a play, first performed in1983 at the National Theatre in London where it won the 1984 Pulitzer Prize. It took several years to convince a Studio to make the film. With a budget of just $12.5 million it was filmed in 39 days. The play was set in Chicago, the movie was set in New York. Jack Lemmon and Al Pacino were cast first, and did a series of readings with director James Foley to cast the other roles. The character of Blake was not in the original play. Mamet wrote that role specifically for Alec Baldwin, adapting it for the screen. Lemmon said the cast was the greatest acting ensemble he had ever been part of. During filming, members of the cast who weren’t required to be on the set would show up anyway to watch the other actors per form. They affectionately referred to the film as “Death of a Fuckin’ Salesman”. What fascinated Lemmon about the story was what he referred to as, “the misuse of the American dream and the erosion of ethics and the tenets of behavior”. Lemmon called Mamet “the greatest American playwright right now”, and after finishing the film he collaborated with him again the following year in his play, ‘A Life in the Theater’. In the film, characters George Aaronow and Dave Moss at one point talk about stealing the Glengarry leads and selling them to a competitor named Jerry Graff. Graff is actually an actor who has been in four movies, all written and directed by Mamet. The word “shit” is spoken 50 times and the word “fuck” and its derivatives are used 138 times.